Showing posts with label writer's life. Show all posts
Showing posts with label writer's life. Show all posts

Sunday, December 20, 2015

Truly Home for the Holidays

Gingerbread cookies, country plaid, and pine cones decorate Nic's kitchen.
The phrase "home for the holidays" has a nice ring to it, doesn't it? I've always thought so. But I have a confession to make. During twenty-some years on the move with the military, "home" always meant packing up and heading back to the state where it all started for Mr. Christoff and me. If at all possible, we'd travel across the continent each holiday season to crash at his parents' place, and then mine. We'd swing by my grandma's for plenty of home cooking. As if we were kids, we'd stay up late with siblings and cousins, and we'd always meet up with childhood friends. As a result, the house where we lived the rest of the year often got neglected at the holidays. Oh, I might manage to hang some kind of wreath on the door, but that would be about it--until this year!

All year long, you awesome reader, have followed each of the Rockville 8 on our personal journeys of growth and discovery. My own path has brought me to that stage of life called "nesting," and now that I'm in a house for the long haul, I can't think of a better time of year than the long, dark nights of winter to do just that. As a result, I've got homey gingerbread hearts decorating my kitchen this season. My living room is dressed in gold-tipped, glistening evergreens. And in the bedroom, flannel snowmen sheets chase away the chill when it's time to cuddle up at the end of the day.

There have been days this December, however, when it's still hard to think of our house as "home." However, maybe that has less to do with the habits developed over my husband's military career. Maybe, instead, it has to do with accepting that some of our loved ones are aging. Some have even passed away. "Home" has changed, and maybe, deep down, I suspect it's slipping away.

Of course, the true meaning of home doesn't have to disappear. Home, quite simply, is where the heart is. So, this year, I'm opening my heart and decorating my house. We'll crash at our place where we've followed grandma's recipes and we've got cousins are on the way. I'll be truly home for the holidays, and I hope you will be, too.

Monday, July 27, 2015

Mom Always Said to Wear Gloves

"Wear gloves," my mom always said, "when you garden."

Protecting your hands is actually great advice, and if I'd been a faithful follower of Mom's wisdom, I probably would've spared my hands their share of blisters, stinging thorns, and spider bites over the years. As I planted a sidewalk border of blooming succulents this week, I remembered Mom's directive, because I didn't wear gloves, and sure enough, I ended up with a few nicks and cuts on my hands to remind me of her words. There's just one problem with gloves, though. It's one Mom never mentioned. The problem is gloves may protect you, but they don't let you get your hands on the good stuff.

Throughout Mr. Christoff's entire military career, he and I pledged we'd grasp with both hands all the things we sometimes had to skip due to frequent moves or his deployments. After all, it's hard to plant a garden when you arrive at your newly assigned digs in January. Since he retired from active duty, however, we've been keen to put down roots. And, for me, gardening is a key part of that.

The satisfaction of working the soil, laying fingertips on the sweet vibrancy of new leaves, and harboring the hope I'll be around to see my green, growing things through every season are reflections of building a life with the people I love in a new house, in a new town, in a new phase of my personal journey. Of course, a new phase, a new town, and a new house come with growing pains just as digging new flowerbeds comes with aches and strains.

Still, I don't always wear gloves when I garden. Why? I'd gladly pass on the thorns, but if I wore gloves, I'd also miss the velvet of the rose. I'm not sure the rest of life works like that, but I'm willing to take the chance.

Monday, November 3, 2014

Covers: Revealed!

Mom always said, "Don't judge a book by its cover!" But truth be told, we do judge, don't we? That reality makes many authors shake in their shoes. Why? Because covers speak to readers. And we don't want the cover of our novel saying the wrong thing!

But what makes a cover appealing? Is it the color? Is it the image? Or is it something else we can't quite define?

As a reader, I love covers with combinations of colors. I love images that are true to the action found inside the book. And I love an over-all look that makes the cover comes to life on my computer screen and e-reader.

As a writer, I wondered if my cover would even have one of these elements. When my fabulous editor at Random House's e-imprint, Alibi, sent me the cover for my December 2 debut e-book, THE KILL LIST: A JAMIE SINCLAIR NOVEL, I clicked open the file with fast fingers. And here's what I found!

Available December 2, 2014 wherever e-books are sold.
In that kaleidoscope of gorgeous color, there's my heroine, Jamie Sinclair, the ultimate outsider, relegated beyond the barbed wire fence of an army installation where a little girl has been taken from her bed. For me, color, image, and everything came together on this cover. And it's true to the story I crafted.

But my good fortune didn't stop there! The good folks at Alibi have just put the finishing touches on the cover to the sequel, THE KILL SHOT: A JAMIE SINCLAIR NOVEL which hits the virtual shelves on March 17, 2015. It's my pleasure to share that with you now.

Coming March 17, 2015 to an e-reader near you.

And there, in another sweep of rich shades, Jamie's one step ahead of trouble, running for her life through London's Heathrow International Airport. This design isn't only true to my story, it's a beautiful blend of color and image. If it's possible, I think I love it even more than the cover for the first novel!

So whether you're drawn to color, image, or something else, if you'd like to judge my e-books by their covers, please feel free! I hope you'll like what you see.

In the meantime, let the R8 know. As a reader or as a writer, what draws you to a book's cover? Is it color? Image? Or something else altogether?

Sunday, September 28, 2014

A Cluttered Desk & an Organized Mind

I wonder who first said a cluttered desk is a sign of an organized mind. If that old saying is true, my mind must be organized indeed! Case in point? Here's a photo of my desk. It's a mess, isn't it? Each and every item, though, connects to a writing project I've got going on in my mind--and on paper. Let's a take a tour and you'll see what I mean.
First, front and center is my laptop. That's Misha's recent blog post on the screen. My desk would look pretty empty without my laptop and I bet yours would, too. That laptop is Grand Central Station for my entire day. My day job and my personal life are both connected to it. And of course, so is my writing life. My new series featuring Jamie Sinclair, a private investigator with nerves of steel and a shattered heart, is a December Random House release and this laptop played a vital role helping me reach that milestone.

To the left of my laptop, you'll see my huge coffee mug. Of course, the mug changes daily if not sooner. Hey, I'm cluttered, but I'm not icky! More often than not, though, there's a glass of water in that spot. Water is important to the health and well-being of your entire body, but especially to your brain. I try to stay hydrated because I need my brain to write. I may need it for other things too, but I'm a girl with priorities!

Moving on, you'll see a blue notebook behind the coffee mug. That notebook holds all kinds of tidbits related to the any story I'm working on currently. If you took a peek inside, you'd find a list of turning points for The Kill List: A Jamie Sinclair Novel as well as an entire string of juicy conflicts for the next books in the series. You just might find notes for other series, too. Hmmm...

And that green pen? The rest of the Eight know it well! That's my critiquing pen. I also use it when I move through line edits from my editor. The green ink is a signal to myself that I've seen a requested change and addressed it in the new, digital file I'm creating for her.

The background of the photo is stacked high with books. Admittedly, not all of them are mine. I share space with Mr. Christoff and he's got some bookish pursuits of his own. Sharing space can be a challenge, but I'd rather share space with him than have a room full of desks to myself.

So, now that you've seen my cluttered desk, tell me about yours. Is it cluttered? And is it the sign of your organized mind? The Eight and I would love to know!

Sunday, July 27, 2014

That Post-Conference Pay-Off

You came. You saw. You conquered . . . almost.

For writers, conferences like International Thriller Writers' Thrillerfest, Romance Writers of America's National Conference, and Killer Nashville are golden opportunities to learn, connect, and have fun. But just like gold, conferences can be costly. Between travel, hotel, plenty of meals, the cost of conference registration, maybe a new outfit or two, and--let's face it--all the awesome books you'll buy in addition to the ones you'll be given, a writer can spend a pretty penny. So how can a writer be sure to get her money's worth? She needs to focus on the post-conference pay-off.

Without focusing on the post-conference pay-off, a writer is only making a partial return on her hefty investment. But that doesn't have to happen to you. Here are my top tips for making the most of your conference experience after you come home.

Step one: Put those business cards you collected to work for you. After the event and while some names and faces are still fresh in your mind, jot a few notes to yourself about the people who gave you those cards. What did you talk about? Did you like the same books? Did you write in the same genre? Send a few of those folks an email letting them know how much you enjoyed discussing common interests or wishing them good luck with their queries. Sure, it can be daunting to email someone you just met, but you're investing in others and there's never anything wrong with that. Down the road, you might find you've developed a real friendship or a helpful professional contact. That person might faithfully buy all your books one day--or become famous and blurb them.

Step two: Put a technique to work for you. If you sat-in on a great seminar about plotting or a panel about breaking through to a larger readership, study your notes once you're home and set aside time to give this new technique a try. Change can be hard, but by tackling one technique, perhaps over a weekend, you're ensuring the money you spent to hear about that idea was well spent. This is an investment in your skill set. And any investment in you will pay-off after the long haul.
Step three: Put it all in perspective and let a fresh mindset work for you. By the time you leave the conference and walk through your own front door, chances are you'll be beyond exhausted. But then, it's back to the day job, the laundry, and life. From that perspective, it may look like you slid backwards instead of gaining ground at the conference. So print off a few photos and put them in your work space to remind you of the fun you had at that publisher's party or out to eat with your pals. And in the coming week, eliminate one chore so you can catch a little time on the couch or chase some more shut-eye. If you say it's all right to skip mowing the yard, odds are it really is all right. So let yourself relax and recover. Remember, we don't have to do it all. And we don't have to do it all right now. Publishing is a marathon, not a sprint. And going to a conference can be as high a priority as doing the dishes. So invest in your mindset. It's worth everything.

Now, there you have my top tips for the post-conference pay-off. What do you do after you get home to make the most of a conference?

Sunday, August 4, 2013

One Is Silver and the Other Gold

With the end of summer right around the corner, we in the Christoff household are making the most of the fleeting season. You can find us in the great outdoors nearly every weekend now. And if the evening is crisp and cool, you'll find us gathered around a campfire.

A Christoff Campfire

Do you remember that old campfire song? The one about friendship? You know the one I mean. It reminds us to "make new friends, but keep the old." Why? Because "one is silver and the other gold."

These words were never more true than this weekend when one of my oldest friends brought her family to my campfire circle. She and I were kids ourselves when we met at camp almost thirty years ago. But if you'd have seen us this weekend, you might've thought we were still kids with the way we joked and laughed.

Around my campfire this weekend, my friend reminded me of who I used to be--and who I still am. Seeing myself through my friend's eyes, I remembered my strengths. And I remembered those strengths had always been a part of me. Best of all, in the golden glow of the campfire, I remembered those strengths had been with me for so long, they probably weren't going to go anywhere without me.

When autumn comes and winter is finally here, and all the pressures of daily living put a damper on my spirits, I'll look back on those summer evenings, both recent and long ago, with my friend. I'll remember what it is to be a friend. And, thanks to my friend, I'll remember I can be myself.

As I look forward to the seasons to come, I hope I'll always make new friends. I hope I'll always keep the old. Because one is certainly silver, and the other is the truest gold.

Now it's your turn to talk to the Rockville 8. Do you have a friend who's as good as gold?  What does her friendship mean to you?

Sunday, December 11, 2011

The Hustle and Bustle of the Christmas Season

Once Thanksgiving hits, there’s a mad dash to January. If you’re anything like me, you don’t have a moment to spare. Every December I struggle to do it all--the full-time job, the writing, the holiday shopping, the decorating, the baking and cooking, the usual juggling of family obligations, the Christmas parties, and so on and so on. Sigh. Just thinking about it all makes me tired. ‘Tis the season to be jolly and I feel like I can’t keep up. I’m sinking under the extra load of the holidays.
Every year, I’m determined not to do it and every year I do. It’s a crazy season. Some days I don’t feel sane. And, yet, most of it I wouldn’t give up. It’s a wonderful time of year filled with family, friends, good food, and lots of festitivies. We build memories. Give. Receive. Laugh. Play.

That’s what it’s all about. This past weekend, I found myself taking time out to relax and enjoy time with friends. It helped me destress, find perspective and build my community. It was a much needed break from the hustle and bustle of the season. I still shopped, ate good food, wrote, read--all the normal things I’d have done anyway, I just found a more relaxing way to do it; in the company of friends. It was a little thing really. But it helped me find an oasis of sanity in an otherwise insane season.

So what do you do? What tricks have you found to release stress and find moments of peace during the holiday season? As writers, what do you do to keep writing during this harried time? As working moms, how do you juggle it all? I’d love to hear your ideas.

Maybe we can all help each other gain a little joy and peace this Christmas.

Sunday, December 4, 2011

Work in Progress

Thursday, my big boy dog and I headed out for our customary walk, and stepped into a work in progress. The project began three months ago, involves five square blocks, and requires teams of city workers to cut holes in the streets. These holes are the size of Volkswagens. For safety’s sake, the workers cover these holes with vast steel plates at the end of the work day. They tack down the plates with ridges of asphalt high enough to ruin any SUV’s suspension. They heap their barrels and caution tape at the curb, and circle the whole area with those inevitable orange pylons. Result? It ain’t pretty.

Many of my neighbors are none too happy about this. But what can they do? The project may be time consuming—and it may be ugly—but it’s necessary.

This is a work in progress.

Well, on Thursday, one of my neighbors did something about this work in progress. He celebrated it. He strung faerie lights between the pylons, festooned them with red glitter balls, crowned his creation with Fosters beer cans, and voilá! As my big boy dog and I admired my neighbor’s handiwork, it came to me. Whether we’re wrestling with a manuscript, pounding the pavement in another round of job hunting, or pursuing our weight loss goals, we all have works in progress. At times, these works may not be pretty. But they’re necessary—to our wellbeing, to the wellbeing of those we love, to the wellbeing of our community.

Really, as we struggle with these projects day by day, we ourselves are the true works in progress. We’re not always where we’d like to be, not always as we want to be, not always as we hope to be—but we’re working on it. And that, my big boy dog and I decided, is certainly worth celebrating.

Do you celebrate your own work in progress? Does your celebration include faerie lights and Fosters? How do you celebrate where you are while keeping your eye on where you’d like to be?

Sunday, July 10, 2011

Where Do You Get Your Ideas?



Where do I get my ideas?

This question comes at a steady pace from all those interested in the writing process. The response, even if in a half-joking manner, wonders if my life is the source of the sixteen-plus books I've written. As time wears on, I answer less adamantly. There is no right or wrong answer.

However, my quick negative was there to dismiss any speculation that I was throwing my "love life" onto manuscript pages. That my strengths and weaknesses hidden between the lines of the pages were some sort of literary therapy for public consumption. That these books were my not-so secret fantasies for a variety of needs. Here's the thing, I'm not an exhibitionist.

Nine years later, I'm steadily working in my career, creating new stories, and conducting research on a long list of items that will hopefully be part of future books. In this reflective moment, I will attempt to answer the burning question.

The source of these ideas do come from me. No, it's not bits of pieces of my life being confessed. However, it's very much my impact on life and people around me.

I made the annual pilgrimage to Romance Writers of America's conference in New York. From my hotel room on the 43rd floor, I would look down on Times Square on various times of the day where the area constantly teamed with people, vehicles, even sounds and smells colliding, and shops and lights that rattled the senses awake.

After NYC, I headed to Barbados. From the airport security check process, to hoping that the plane's issues would be resolved for the flight, to a scalding cup of coffee being spilled down my leg -- these nuggets provided more than enough "meat" for a story.

Soon my vacation will end, my (writing, energy, passion) reservoir has been refilled and enriched for the long hours of writing ahead of me. My activities included tours, swimming, brisk morning walks, visiting friends, and enjoying fine dining. I even managed to get much needed reading in with two James Patterson's, one Lee Child, two Amanda Hocking's--all very enjoyable and a reminder of why I must keep doing what I do. I have chatted with locals, visitors from Ireland, other U.S. travelers sharing concerns on world topics, specific interests, personal accomplishments. As diverse as we all are, we have so many similarities that connect us.

Television, Internet, newspapers all kept me informed on the big news, entertainment craziness, and the latest social media must-see. I soaked everything in, freeing the imagination to play, throwing out what ifs for the creative process to do its thing.

So, where do I get my ideas?

From me and my world.

Monday, November 8, 2010

To NaNoWriMo or Not? That Is the Question.

This is the first year that I’ve done NaNoWriMo or National Novel Writing Month. For those who don’t know what that is (and I’m betting most, if not all of you, know more about it than I do) it means that you sign on at www.NaNoWriMo.org and vow to write 50,000 new words on a new manuscript. You cannot start until November 1 and you must end on November 30.

I almost didn’t do it. I’d just spent a whirlwind Halloween weekend going trick-or-treating twice, being in a Halloween parade and sewing a Saint costume for my child to wear in the All-Saints Day service. So, the last thing I wanted to do as I sat in the recliner at 11 PM on Sunday night, gasping for air and zoning out on the Real Housewives, was add another thing on my to-do list.

But, as I scanned my emails, I thought of NaNoWriMo. I’d been talking to the Rockville 8 about it, what exactly you do for it, etc. at our last meeting. Now, I was feeling guilty. I’d told myself that I’d do it. I’d promised myself I’d widen my horizons this year by trying it. Yet, at the moment, I was sitting in my recliner like an exhausted, used-up lump.

That’s when it hit me. I’m exhausted all the time anyway. I’m always used up. I’m always too busy. So, if I’m going to be all those things I may as well add one on the heap for myself. So, I logged onto the website and joined. As I did it, I questioned my own sanity. But I guess there are others who have questioned theirs as they added their names to the list.

It was also exhilarating. I was finally a part of something I’d heard others talk about. As of Sunday, November 7, I have 7,179 words. I should be at 11,669 words if you figure the 1,667 word a day pace. So, I’ve got some catching up to do. By my own reckoning I need to do 1,947 words each day from here on out to make it. So far, I’ve done an average of 1,026 words each day. This includes the day that I spent all day at my child’s competition. The day I had a deadline at work and dragged myself home. The day the traffic was horrendous on the way home. The day I had a headache and thought my head would explode. I’ve literally done something each day. Even on the hardest days.

Here’s the secret I’ve discovered. I may have started out exhausted when I was writing but many times I forgot my fatigue and stress by the end of my words. My husband has been supportive. My child played nicely with various toys. The dog sleeps on her rug under my desk and warms my feet. They’ve all pitched in and done their part.

And, when it didn’t get easier as I wrote, when it felt like pulling teeth, I still did it. It may not have been pretty but something made it to the page.

Last night, after all day at my child’s event, I felt like I’d been sucked dry. I really, really didn’t feel like it. So, I gave myself a carrot and wrote an exciting scene that I’d brainstormed just that morning. When I looked up, I’d written about 1,400 words. It felt effortless.

There’s another thing whispering in the background. The Rockville 8 goals for 2010. I seem to remember something about having a complete rough draft of a new book by August 2010. Did I really say that? Can I make it at least by the end of 2010 with the help of NaNo?

So, maybe I won’t make 1,947 words per day. Maybe I’ll only get 30,000 words for this month. But, then I say “only 30,000 words” and laugh. That would be a really good thing because it would be 30,000 I might not have had.

Tell me about your NaNo war experiences. What worked? What didn’t? Any advice?

So, this post is 692 words. Can I count this toward my daily NaNo goal?

Monday, September 27, 2010

I DON’T GET NO RESPECT By Susan Donovan

The Rockville 8 is proud to welcome NYT bestselling author Susan Donovan. She writes contemporary romance with a trenchant wit and a melted-chocolate heart. But even with these two sterling qualities (among the many), she’s learned that the life of a romance writer is not all bons-bons and slavish devotion. And what’s up with that?

Susan Donovan

I remember the exact moment I realized I’d become “A NOVELIST” – an honest-to-goodness professional writer with an agent and a publisher and an option for my next book. It hit me while attending my first RWA National Convention in 2002. Upon my return home, I sat everyone down at the kitchen table and explained that things had changed. Mommy had a new career. This was serious business, I told them. Someday I would be a New York Times bestseller. I would earn a good salary. I would make a major contribution to our family’s future.

I asked my husband and children to respect this new reality. I told them that when my office door was closed they were to give me privacy to write. I told them I’d display a sign on my office door so there’d be no mistake. The sign would say, Mommy’s Writing.

“Does everyone understand what I’m saying?” I asked.

Two sets of little eyeballs blinked into the overhead kitchen light. My
husband cocked his head curiously. Crickets. . . I got nothing but crickets.

That next day, I taped my sign on the office door and attacked my WIP with a renewed sense of determination. Not five minutes had passed when I heard snickering out in the hallway, which was followed by scratching sounds and more snickering. I got up and opened the door. My kids were rolling around in the hallway holding their sides in hilarity. They’d defaced my sign. The word “writing” had been scratched out and replaced with “farting” – Mommy’s Farting.

Thus began my career as a romance author.

Of course, that stuff happened more than eight years ago. Those little snickering cuties are now a senior and sophomore in high school, respectively. My husband is now my ex-husband. I’ve hit the New York Times extended list three times. I’ve sold twelve novels and four novellas. I’m earning a good salary. Is this where you’re expecting me to say everything has changed? Sorry to disappoint.

I ran into an acquaintance at the post office the other day, someone I used to socialize with on a regular basis. She asked me if I was still writing or if I’d found a job. A relative asked me last week if I were still doing “those sex books.” During the legal proceedings that ended my marriage, my spouse said via his attorney that he’d prefer that I sought employment but that he’d allow me to pursue my writing “hobby” out of the goodness of his heart. (This was after I’d become a USA Today bestselling author and got a RITA nomination.)

And only late last week – oh yes, she really did – Danielle Steele told the world that she was not a romance writer. To an interviewer she explained, “I write about the situations we all deal with. Loss and war and illness and jobs and careers, and good things, bad things, crimes, whatever. And I really write more about the human condition.”

At times like these, a girl needs something greater than herself to turn to. I turned to Rodney Dangerfield. I imagined him in an old black-and-white TV clip, nervously tugging at his skinny necktie, sweat on his brow, his head twitching and his eyes bugging out as he shared his mantra with the world: “I tell ya – I don’t get no respect.” It helped to calm my temper and remind me that I can’t take myself too seriously. The truth is, all any of us can do is love what we do, do it to the best of our ability, and let it go.


Once I recovered from Danielle’s knife in the back, I tugged at my necktie and went back to work. And – is this a coincidence, or what? – the romance novel I’m working on right now happens to be about situations we all deal with, good things, bad things, crimes, whatever. It’s about the human condition.

How about you? What have been your most egregious "Just call me Rodney Dangerfield" moments since you began writing?

Don't forget to mark Susan's upcoming release schedule on your calendars:

NOT THAT KIND OF GIRL, December 2010, St. Martin's Press
"Gail's Gone Wild!" -- part of the HQN Spring Break-themed anthology THE GUY NEXT DOOR, with Lori Foster and Victoria Dahl, March 2011
THE COURTESAN'S GUIDE TO GETTING YOUR MAN, with Celeste Bradley, June 2011, St. Martin's Press

Monday, August 30, 2010

Never Never Never Give Up by Diane Gaston



The Washington Romance Writers would be poorer for not knowing Diane Gaston's warmth and commitment to our community. I would be poorer for not knowing her. As an instructor, a mentor and a friend, she plies encouragement, confidence and the occasional kick in the pants like a rock-star bartender at happy hour. Her latest book, Chivalrous Captain, Rebel Mistress, Book Two in her Three Soldiers Series, will be released September 1st.

Please join the Rockville8 in welcoming Golden Heart and RITA-award-winning author, Diane Gaston, to our blog.

I started writing in 1995, discovering relatively late in life what I wanted to be when I grew up. Of course, at the time I was already entrenched in my career as a mental health social worker, but that’s a whole other story. From the beginning of my writing, I knew this was what I loved most to do. I always thought I would be published. I just didn’t know it would take me nine years!

Writing remained exciting and fun for me for a long time. It was a new adventure. I was learning new things, the craft and the business of writing romance. This enthusiasm sustained me through three completed manuscripts, each of which I was certain would sell. They didn’t.

But I didn’t give up. I took a deliberate turn from targeting category romance to writing regency historical. I thought I was on my way when that first historical manuscript became a 2001 Golden Heart finalist. My confidence only started to waver after that manuscript received rejection after rejection. It worsened when my next historical manuscript received rejection after rejection.

Then a wonderful thing happened. My friend Mary Blayney (Courtesan’s Kiss, 2010) gave me a small needlepoint pillow that said: Never Never Never Give Up.

That quotation from Winston Churchill made a deep impression on me. I started changing my mindset. I began to perceive myself on a journey to publication. Everything that happened—the good, the bad, the contest wins, the rejections—all brought me one step closer to publication. I was convinced of it! During this time period people used to say to me, “I thought you were published;” that’s how well my mind-set worked.

I’d passed up entering the 2002 Golden Hearts, because, after all the rejections, I was sure my making the finals in 2001 had just been a fluke. By the time the 2003 entries were due, though, my thinking had changed. I figured, “Why not enter?” I entered both my second historical and the first, the one that had been a 2001 finalist.

That first historical manuscript became a finalist again.
I received a phone call from Mills & Boon; they’d judged it in the Golden Heart and wanted to buy it!
It became my first book, The Mysterious Miss M.
(And it won the 2003 Golden Heart)

Now, eight books, two novellas, one short-story, and one RITA later, my latest book for Harlequin Mills & Boon, is due out Sept 1, 2010, from Harlequin Historical. Chivalrous Captain, Rebel Mistress is just my latest example of what happens if you Never Never Never Give Up!

How do you keep yourself feeling positive and motivated in pursuing your dream?

Sunday, June 20, 2010

A Writer’s Tribute to Dad: The 5 Invaluable Lessons My Dad Taught Me



The father of one of my dearest friends died on June 1, 2010. This tragedy brought back memories of my mom’s death almost twelve years ago, but it also made me realize how fortunate I am to still have my own dad around. As an aspiring author, I continue to look for a home within the ranks of the published, however, the tools my dad gave me over the years have been invaluable to the success I’ve found thus far and, I have no doubt, will serve me well in the future.

Dream the Impossible Dream, Then Do It

My dad taught me more about dreaming than anyone else. He has always encouraged me to talk about my dreams, to reach high, and never compromise. He’s been an advocate who did everything in his power to support my fledgling dreams. If you can imagine it, you can do it is a mantra that still rings in my head from childhood. It’s this mindset that sent me back to graduate school and has encouraged me to work toward a career as a writer.

If You’re Generous, Courage Will Never Fail

My father led by example. When he found himself a nineteen-year-old father back in the late 60s, he stepped up to the plate and embraced the role of father, husband, and provider. He never wavered. He’s always been one to give generously of his time no matter the situation. He helped rescue people during the Johnstown Flood in 1977. He stood beside the hospital bed of my dying mother for almost five months straight when there was nothing else he could do to show his love and support. He’s proven again and again if you give, whether it’s your time, energy, love, or support, your courage will never fail.

He taught me to never back down, no matter what life throws your way. Face life with courage. Give everything you’ve got. Each and every day I face the task set before me. I refuse to back down when life is hard and when things aren’t going my way. Life is unfair. That doesn’t give us an excuse to behave badly.

Does it take bravery to write a novel? You betcha. It’s a scary journey that’s not for the faint of heart. There’s more of me between those pages of fiction than I’d ever like to admit. And it’s even more scary to get those rejection letters as I try to find the perfect agent to represent me, because, somehow, it seems like they’re rejecting me, not my idea, not my writing, not my story. But that’s okay. One day I’ll find the right one. Until then, I continue to give it my all. Live generously. The wellspring of courage hasn't run dry yet.

Show Up Every Day

My dad has always worked harder than anyone I know. Born the second son to an auto mechanic of German descent, my father didn’t go to college until after both my brother and I had gotten our degrees. For all the years I was at home, he worked as a coal miner. He operated a drag line, then other heavy equipment. He had his back broken when an I-beam fell on him. And yet, once he healed, he continued working. He never gave up. He showed up every day.

This strong work ethic is ingrained in my DNA. And I’m forever grateful. Why? Because it allows me to be productive, to produce page after page of writing that will lead to novel after novel. I show up each day. No, I don’t have to do the back-grueling work my dad did all those years ago, however, writing is still hard work. To understand your craft takes time. To write a novel takes dedication and stick-to-it-iveness, and a certain expertise.

Time Is A Precious Commodity

When I was a teenager with a curfew, my dad’s motto was, “If you’re a minute late, you may as well be an hour late.” He didn’t tolerate tardiness. I know, this sounds strict. It was. And it still is by most standards. But what I learned from my father’s rule is that deadlines are meant to be kept and being early is preferable to the alternative. And, in the real world, there are always consequences for being late.

How does this translate to writing? Deadlines are hard. They’re not soft. Editors, agents, and teachers have all imposed deadlines for a reason. Those rules are there to maintain order, to help me, and facilitate less stress for everyone concerned. By respecting those deadlines, I become a better writer and a better publishing partner.

Outlast, Outwork, Outplay

Finally, my father has taught me that perseverance is strength turned inside out. If you’re strong enough to stand, you’re strong enough to outlast, outwork, and outplay the competition. If you can do this, you’ll eventually be rewarded. The validation you need comes first from God then from yourself. Self-respect and self-confidence go a long way in helping you hold your ground.

And if that doesn’t work? Reinvent yourself. Figure out how to make your situation work for you. For the past two years my dad has been unemployed in a bad economy. He hasn’t given up. Life is not playing fair with him now that he’s in his early sixties. Who wants to hire a sixty-two-year-old man when they can hire someone straight out of college? Not many companies. He’s taken the lemons life has given him and he’s trying to make lemonade. Again, he hasn’t given up. He renewed his real estate certification in a brand new state and he’s working hard to drum up business. He’s convinced good things will come his way if he remains steadfast and works hard.

What a great lesson for aspiring writers. Publishing that novel you’ve written could take years. Don’t write it and sit on your laurels. Get started on the next story. And if you haven’t found your niche yet, think about different directions your writing could take. So many novels seem to cross genres today, figure out where you could blur the lines and appeal to a new audience.

My dad is an avid golfer. He can outplay the best. Any writer can take this lesson to heart, too. Knowing when to work and then knowing when to play is an important skill. Recreation and time away from work makes you a better worker, a better writer, and a better person.

So wherever you are today. Thank your dad for the invaluable lessons he taught you over the years. Hug him. Tell him you love him. Give thanks that you are, in part, the person you are today because of his guidance.


Happy Father’s Day!

Sunday, May 16, 2010

The Magic Ring of Myth: The Stories We Tell and Why We Tell Them

“Religions, philosophies, arts, the social forms of primitive and historic man, prime discoveries in science and technology, the very dreams that blister sleep, boil up from the basic, magic ring of myth.”

~ Joseph Campbell, The Hero With a Thousand Faces



Last weekend, I sat and watched Leap Year which had been newly released to DVD. Okay, so I didn’t just watch it once. I replayed it probably half a dozen times or more. As I studied Amy Adams’ and Matthew Goode’s unlikely courtship on the screen, I tried to figure out why I loved this story so much. Especially since critics had panned the film. The movie had a shelf-life of, what, three days on the big screen? Finally, it struck me late Sunday evening why I’d fallen in love with Leap Year. Something about the romantic comedy tapped into one of my Ur-Stories. These are those myths that are at the core of each story we read, listen to, watch . . . or write. They help us understand the random events of our lives.

I’d first heard of the Ur-Story last summer when mystery writer S. J. Rozan spoke on the topic at Seton Hill University. She addressed the stories that fiction writers
tell. Not just the mystery, romance, fantasy, horror, or science fiction dramas you see played out between the pages of so many genre books these days, but the deeper myths that lie at the core of those stories. “Life is what it is; fiction tries to tell you what it’s about,” she said. “The Ur-Stories behind crime fiction, the myths on which it’s based, are two epic battles: between chaos and order, and between good and evil. . . . The stories that interest me, though--the pieces I lift out and present to you--are the ones where order is a mask for evil, where for good to prevail the world has to explode into chaos and not everyone finds a happy ending. That’s like life, and amazingly, it echoes the process itself; the writer’s job is to make order--fiction--out of life, which is chaos.”

Wha
t did Leap Year tell me about my own Ur-Stories? I still didn’t know. So I pulled out my copy of Joseph Campbell’s The Hero With a Thousand Faces to figure it out. How could I be so wrong about Leap Year? I loved this movie. It’s the modern-day self-actualized Cinderella who goes on a quest to an enchanted land to propose to her Prince Charming only to find she’s been mis-cast. She’s really more a Beauty who heals the Beast she finds along the way. And, well, Prince Charming doesn’t really love her. He loves the idea of her as Cinderella. Okay, these are archetypes I enjoy. Cinderella. Beauty and the Beast. But so what?

That’s when I stumbled across Campbell’s discussion on the monomyth and the role these myths play today. He says, “In the absence of an effective general mythology, each of us has his private, unrecognized, rudimentary, yet secretly potent pantheon of dreams. The latest incarnation of Oedipus, the continued romance of Beauty and the Beast, stand this afternoon on the corner of Forty-second Street and Fifth Avenue, waiting for the traffic light to change.” So this myth at the core of Leap Year spoke to me. It resonated with the private, secret myths I clutch close to myself as I journey through life. I explore these same messages of transformational love and healing, and enjoy using archetypes like Beauty and the Beast, the tortured dangerous hero, the feisty empowered heroine in my own writing. No big surprise then that I’d discovered such an affinity for Leap Year.

Does everyone do this? Seek out stories that affirm their core beliefs? Or is it just me? I started to look around at the people who surround me. Yes, they did it, too. It’s why I write romance novels and why my best friend reads fantasy. It’s why my eleven-year-old is drawn to the lyrics of Owl City’s Fireflies and my scientist father-in-law loves Asimov and old science fiction movies. We’re drawn to these myths like magnets to an invisible electro-magnetic field. You don’t have to look far to see the evidence. It’s there in the books we read, the music we listen to, the DVDs we watch, the fairy tales we tell our children, and the stories that we as writers write. So why are these myths so important? And how did they get there?

Myths capture our imagination. And without even trying, we seek them out. Myths help us order our world, manage chaos, and draw meaning from what appears to be random occurrences. We find kernels of truth in the myths that populate our lives. But what’s their ultimate purpose? Joseph Campbell says these myths help us cross difficult thresholds, allowing us to transform the way we think, both consciously and subconsciously. They help us arc and overcome the barriers in our own lives that hold us back that keep us mired in the muck. They’re the stories that remind us of our past and inform our future. They keep us from remaining static. They spur change. “It has always been the prime function of mythology and rite to supply the symbols that carry the human spirit forward [to] counterac[t] those constant human fantasies that tend to tie it back,” he says.

So where does that leave writers? Do we try to shape the myths at the core of our stories to get across a particular message? I’m not sure we can because our privately held myths have shaped us. Our stories rise from this magical spring of myth, whether we like it or not. We can’t help it. The words that spill out of our mouths when we speak and from our fingertips when we craft our stories are already part of our personal mythology. It’s individual truth made universal in our characters and novel themes. Writers are what Campbell calls the “artist-scientist: that curiously disinterested almost diabolic human phenomenon, beyond the normal bounds of social judgment, dedicated to the morals not of this time but of his art. He is the hero of the way of thought--single hearted, courageous, and full of faith that the truth, as he finds it, shall make us free.”

As writers and scholars of humanity, we need to understand the role of myth. How our past has shaped us. How myth draws an audience to a certain underlying story within a specific genre. If we can identify the story behind the story in our own work, we will better understand what rings true for our characters and their struggles. We can even begin to help our agents and editors know how to market our books. We’ll begin to piece together why Jane Q. Public loves a Regency-set marriage of convenience story while she stays far away from the roller coaster ride of modern-day suspense. But more than that, as writer-readers, when we begin to analyze what our literature says about our generation, we can tune our ears to the heart cry to which we’ve grown deaf. By reading popular fiction (mystery, thriller, suspense, romance, YA, science fiction, fantasy, and horror novels) and the lyrics of our modern-day poets, singer/songwriters, we can become adept at translating life chaos into orderly, saleable fiction.

So how does this help me understand why I loved Leap Year while no one else liked it? I understand the myths that have shaped me and I’m able to track my own personal journey as a writer. I see my overriding Ur-Story. My characters always experience a life-transforming love that makes them want to risk it all. They choose to leave behind their controlled comfort zone in order to grow and change. And because they risk it all, they always find their happy ending.

Does knowing this make me a better writer? I think so. Not everyone cares to reflect on life, to grow, or change--in real life or fiction. Change is hard. But I choose to be one of the heroes Campbell mentioned who believes that knowing the truth will set others (and me) free. So I will listen. I will hear the mythos of our generation as it echoes through our popular fiction because I care to know where we’ve been and where we’re headed. And as Mary Chapin Carpenter’s lyrics say so well, yes, each of our hearts does know the way. “It’s worth it all learning at last . . . The future begins with the past . . . We’ve traveled so far to be here.” Will you open your ears? What does your Ur-Story say to you? I think it matters. How about you?

We’ve Traveled So Far
(excerpted)
by Mary Chapin Carpenter, The Age of Miracles

I found myself wondering today
Why do some go and some stay
Do each of our hearts know their way
Through valleys of sorrow and tears
Across oceans of longing and years
And the sound of it all in my ears

I traveled
I traveled so far
I traveled so far to be here

It’s worth it all learning at last
The future begins with the past
Step out of the shadow it casts
And let the sun shine on your shoes
Kick ‘em off in the rain if you choose
There’s nothing like nothing to lose

We traveled
We traveled so far
We traveled
We traveled
We traveled so farWe traveled so far to be here