Showing posts with label family. Show all posts
Showing posts with label family. Show all posts

Sunday, August 16, 2015

At Grandmother's House

My grandmother's kitchen had an enormous pantry. A walk-in closet for your canned goods and spare cooking pots. It had it's own door. My house did not have a pantry. We had cabinets. And stainless appliances. Grandmother had an avocado green oven. When it was cold, I'd walk into the kitchen and the oven would be wide open, heat pouring from it to warm up the room.  Her table was small and square. It was a work table in a kitchen with very little counter space.  

Summertime, I learned to shell peas, snap beans and make deviled eggs at that table. Grandmother would sit in one of her dark dresses, with the smock-type apron on, working on a bowl full of something green. Meals did not make themselves at Grandmother's house. Vegetables, at least in the summer, did not come from the can, jar or freezer.

I can't recall if there was anything pretty hanging on the walls. Grandmother hung a large mirror over her sink. Mom said to check her hair, I say to spy my brother coming up behind me to snap me with a towel. Next to that was a National Geographic map of the solar system. On a shelf to the right of the sink I'd find the jar of Tang - the orange juice of the astronauts. And because she was a grandmother, she also had strawberry Quik. We only ever had the chocolate kind at home.

Inside of Grandmother's kitchen, I was taught to help prepare food. I learned the rhythms of cooking and life. Vegetables had to be washed, trimmed, snapped, shelled, shucked, peeled, chopped.  Dealing with vegetables was all about action verbs and in the moment. Inside of Grandmother's kitchen, I worked. There was no dishwasher, save the grandchildren. We'd stand at that enormous white enameled sink and wash every glass and every plate and every spoon. By hand. With a sponge and hot water and set them, one by one, on the slanted, rippled drain. Water would sluice back down into the sink. Even to today, captured somewhere in my nostrils, is the pungent sharp smell of hot dish-soap and plastic cups.

Summertime at Grandmother's meant an enormous family reunion at the Leonard house. Complete with Aunt Didi's ham biscuits, Grandmother's corn pudding, and juicy sliced tomatoes. There were deviled eggs with a sprinkle of colorful paprika. Potato salad. Macaroni salad. Old ladies in dark dresses with blue or apricot tinted hair set in curls. Some women still wore their hair in old-fashioned buns, like my great Aunt Grace from down Mecklenburg County.

I was the youngest child - apart from little Stevie - and he didn't count because he was little and a boy. I either had to keep up with my older siblings and cousins or go sit with mom. Or I'd simply head to The Magnolia Tree. A tree so big at the front of Grandmother's house that six cousins could be up it at once and there was still room for more. It was shady and cool beneath that tree, shelters by the large tough dark green leaves that were brown underneath. We'd hear "Don't climb that Magnolia" behind us as we headed straight up her branches. I rode my first horse on the limbs of that tree. Possibly my first dragon. I certainly fought my first Civil War battle there, and ruled my first tree kingdom.


I wonder what my siblings and cousins would remember about going to Grandmother's? Probably something completely different than me. What are your strong memories of summer and shelling peas? Of white rail fences to be climbed on and pecan trees to run under? Were you chased out of the house by parents who wanted to actually speak with another adult and wasn't there to entertain the children? Was the TV either off limits or simply not considered an option when there might be horses to be seen? Tell me!

Monday, November 21, 2011

Thanksgiving Gifts in a Michael Hauge Onion Sauce

What, you ask, does Michael Hauge have to do with Thanksgiving?

Two weeks ago, Lisa posted here Michael's parting question from his seminar: "I would do anything to complete my goal. Just don't ask me to do ______, because that's just not me." He said our first answer would not be the real nut keeping us from our goal. Rather our first answers would be planted in our protective identities and it might take some digging to get to the essential root of what keeps us from accomplishing our goals. (Insert collective groan here)

As we prepare for the feast of Thanksgiving, I've been thinking about gratitude and what I'm thankful for. I've come to realize that there is room for identity and essence even here. My first answer when I ask, Keely, what are you thankful for this year? is pretty standard identity stuff: my job, my friends (you all rock!), my family.

These are all true, don't get me wrong. But they are also surface answers, protective answers, easy answers to share at the thanksgiving table before moving on to the main course.

So where does the essence come in? For me, it's when I peel back the layers of the onion by asking why.

Why am I thankful for my job? Beyond paying the bills, this job over the last nearly eight years has engaged my brain and my heart. It has challenged me, nurtured me, provided a safe space to grow and learn and grow some more.

Why am I thankful for my friends? Because when I had a really bad day last week, they rallied around me, offering support without telling me I was silly or lacking or to "just get over it."

Why am I thankful for my family? Because being in their space makes me feel - everything from grief to rejoicing to kooky humor to love. My family is present moment hijinks and long ago baggage and future hopes and dreams.

So there you have it. Thanksgiving gifts in a Michael Hauge onion sauce. As writers, that's what we're supposed to do, yes? Peel the layers of our characters' protective identity onion away until we reach their essential core? (yes, yes, this metaphor would be even better if onions actually had cores...maybe on the rewrite...)

What are you thankful for this season? What are your characters thankful for? Identity vs. essence: Is it either/or for you? An onion of many layers? Or do you make sense of it using some other construction or metaphor?