Showing posts with label historical romance. Show all posts
Showing posts with label historical romance. Show all posts

Sunday, September 25, 2011

Real Dukes

This week the Rockville 8 is thrilled to host historical romance author Lavinia Kent! She’s here to share her thoughts on Dukes.

Which may have led her to wonder, “What woman would refuse a Duke’s kiss?”

(Or maybe that’s just what we were wondering, after we saw the cover of her new book, What a Duke Wants . . .)

One lucky commenter will win a “Go to Bed with a Duke Tonight!” t-shirt.

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I originally planned to write about muses versus hard work and how great it is to have both, but if you only have one, choose hard work. I’ve written ten blogs in the past two weeks, and I can promise you that my muse would have been out shopping for fall boots after the first two. She is not the most patient of beings.

But she did pull through on this one.

I was sitting here, thinking of her, and whether I really needed to add green to my wardrobe (clearly I should have put down the Vogue magazine a little earlier), when my mind started wandering to dukes. I always have my current cover up as a screen saver on my computer, and if you had my duke staring at you, you’d spend some time staring back.

What a Duke Wants is my first published “duke book,” and I’ve been amazed at just how enthusiastic readers have been. I’d always heard that readers liked dukes, but I still wasn’t prepared for the response.

First, I should confess that I love a good duke book – they are probably my favorites. I know that when I advise friends on what romances to read, I’m always a little embarrassed by how many of the have “Duke” in the title. (Julia Quinn’s The Duke and I, Galen Foley’s The Duke, and of course Mary Balogh’s Slightly Dangerous – which may not have a duke in the title, but is certainly a perfect duke book.)

I’d always been a little bit hesitant to write one myself, because once you’ve written a duke book, where do you go? And then there’s this picture, “Ten Dukes-A-Dining.”

A friend sent it to me a while ago and I was forced to confront the reality of dukes as they are (completely not thinking about the new Duke of Cambridge, or I’ll start thinking about his wife and my new obsession with nude pumps). Now, there are several men pictured here who are quite distinguished and may once have been dashing and handsome. Number Seven, the Duke of Argyll, actually plays elephant polo and I can almost imagine him wading through the pages of one of my books. But I must face the fact that this picture does not have one thinking of the seven or so six-foot-two, dark-haired, flashing-eyed dukes who wander through What a Duke Wants and The Real Duchesses of London – and I am sure that I have another couple just waiting to find their way onto my pages. And I am not even going to consider how many dashing dukes we’d have if we were to put all the romance dukes together in a room, a building, a park, a town . . .

And does it matter? That is my ultimate question.

I love my duke, Mark Smythe, Duke of Strattington. He is tall and handsome and, although he has a learning curve, in the end he knows just how to win Isabella, his heroine – and hopefully the reader, too. I am more than willing to follow him through cases of mistaken identity, a little blackmail and scandal, an accusation of murder – and more than a few steamy encounters. I don’t care that he might not have a counterpart in the real world.

All historical writers have their story of being called out on some fact they got wrong, but I’ve never heard anyone complain because there are just too many dukes in that book.

What do you think? Where do you want fact and reality in your romances, and where do you want delicious fantasy?

Let me know, and I’ll send one lucky commenter a signed copy of What a Duke Wants and a “Go to bed with a Duke tonight!” t-shirt. (And – with due respect to his Grace - I promise it won’t feature number nine, the Duke of St Albans.)

Thank you so much for having me at the Rockville Eight. I’ve always wanted to come and visit.

Please visit me at my website for an excerpt from What a Duke Wants: http://www.laviniakent.com/excerpt_duke.html

For more information on Ten Dukes A’Dining: http://www.dailymail.co.uk/news/article-1218628/Ten-dukes-dining-Gathered-lunch-unique-picture-grandees-2bn-340-000-acres-them.html


Monday, August 29, 2011

How to Make Sure They ALL Like It Hot by Grace Burrowes

The Rockville 8 welcomes steller historical author Grace Burrowes! She shares some excellent confidence-building advice on how to approach writing your loves scenes and make them memorable time after time. One lucky commenter will receive an advanced reading copy of her November release, "The Virtuoso, " book three in The Duke's Obsession trilogy!

Let me start by saying that I write traditional historical romances—not erotica, not romantica—so my approach to intimate scenes is predicated on certain assumptions. First my characters are going to grow as people from the beginning to the end of the book, and second, their intimate encounters will take place in the context of a mutually caring relationship.

The third assumption I make about the steamy scenes is that they are going to be some of the toughest for me to write. Now why is that?


Plenty of reasons. For starters, readers may not have ever driven a race car, they might not have trekked in the Mojave Dessert (or whatever your protagonists are up to), but erotic intimacy is a fairly universal adult experience. Readers will catch us if we stumble logistically in these scenes.

Then too, as authors, we’re going to have to write several steamy scenes per book, book after book. Considering that I’m on the seventh book in an eight-sibling series, the twentieth hot scene to flow from my pen is a tad more challenging to make novel and riveting than the first three were. Consider too, that my readers have probably buzzed through at least a thousand hot scenes before opening my book, and you begin to see the magnitude of the problem.

But before you decide writing thrillers is your true calling, here are a few tricks to tuck under your romance writing pillow.

First, make SURE your intimate scenes advance plot or character, and preferably both. There has to be something admitted between the characters, a purloined letter spied across the room, a little bruise revealed, that makes the scene valuable to the dramatic or character arcs. If you can advance both, then chances are your scene will be “uncuttable” and that’s what you want.

Second, do not focus on the usual sequence of actions in an erotic encounter. Yes, of course, you will describe foreplay, coitus and afterglow, (or the absence of same), but these are the scenes where using the senses and dribbling in the telling details really come into play. Except, don’t dwell on the erotic details. If she’s staring at the canopy, make her wonder why all the Cupids are boys, and what they’re doing grinning like idiots when there are no girl Cupids. You will of course add in that hero’s beard stubble scratches her neck, but the Cupid issue is unexpected and will pull the reader into your heroine’s heart, not just her bed.

Strut your ability to use show writing rather than tell. Don’t tell us his iron self-discipline is slipping. Have him, for once in his miserable life, toss his boots half way across the room and leave his cravat draped willy nilly over the escritoire. His waistcoat goes on the floor, and then—while she watches, fascinated—his shirt and breeches are flung onto two different chairs.

Show, show, show.

And finally, do not focus on desire, arousal and the predictable biological agenda at the expense of the emotional landscape unique to your characters. This is the secret handshake, friends. It isn’t just the sensation of penetration that can make your scene sing, it’s also the impatience that crashes through her when he’s trying to be so dratted considerate. It’s the last minute insecurity she feels because the portrait hanging across the room confirms that his first wife was beautiful. It’s the cat sitting on the nightstand, whose inscrutable gaze accuses the hero of taking advantage of a lonely woman.

Move your camera around to the non-erotic details, make your characters ‘fess up to what feelings lurk under their desire, and make the scene advance plot and character arcs. Tough to do, but pull it off and your steamy scenes will turn into some of your best writing.

I heard a rumor that the Earl of Westhaven, Lord Valentine Windham, the Earl of Rosecroft and perhaps even their respective ladies will be joining us for the comment portion of the blog… assuming they can take their eyes off each other long enough to read our questions and comments.